剧情片东方挽歌：《东方挽歌》 This wonderful visual poem unites many of Sokurovs best traits. Like most of his films, it is less about plot than the unfolding of a specific situation. Here, an observer who merely appears as a silhouette (though it seems to be Sokurov) travels to an old Japanese town on an island. It is an unearthly place, almost empty, old buildings, mist, probably the afterlife. The observer talks to three souls about their former lives which they see as burdensome and unhappy; but they talk in a light-hearted manner. There is a nocturnal feel to everything, the images have a washed-out quality, like varnished old paintings, and Sokurov deliberately keeps them sometimes out of focus (all trademarks of his); the soundtrack is a marvelous composition of gently howling wind, creaking wood and remote music, some classical, some Russian and Japanese folk. The entire movie is a dreamlike reflection on life and death and the view of the dead
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